The Fascination of Being Ernest

Carol Shaughnessy | July 8, 2010

When Brian Gordon Sinclair looks in the mirror before going onstage, Ernest Hemingway looks back. That’s because Brian, an award-winning Canadian actor and playwright, has spent the past several years researching, writing and performing one-man plays about the legendary author, presenting them each July at Key West’s annual Hemingway Days celebration.

Is this Ernest Hemingway? Or is it Brian Gordon Sinclair? (Hint: the bearded writer in the photo never lived in Key West.)

Is this Ernest Hemingway? Or is it Brian Gordon Sinclair? (Hint: the bearded writer pictured here never lived in Key West.)

Hemingway, who lived and wrote in Key West throughout the 1930s, wasn’t Brian’s first major subject. Years ago, while tracing his Irish roots, Brian became fascinated with Irish revolutionary leader Patrick Pearse. After developing a successful one-man play about Pearse and the Irish Easter uprising of 1916, he began seeking another all-absorbing character.

“I wanted to find someone else to play who had that heroic quality,” he said. “I fell in love with the idea of being someone bigger than life, and standing on stage conveying theories and ideas that I could believe in with all my heart and brain.”

When Brian picked up Hemingway’s “A Farewell to Arms,” the author’s passion, prose and philosophy captured his imagination.

Backed by a crowd of “Ernest” supporters, Brian presents Canada's Hemingway On Stage Award to Jean Klausing, Sloppy Joe’s late general manager and guiding spirit, during a past Hemingway Days celebration.

Backed by a crowd of “Ernest” supporters, Brian presents Canada's Hemingway On Stage Award during a past Hemingway Days celebration.

He had visited Key West previously on vacation, but returned with a purpose: to immerse himself in Hemingway’s life and experiences. He discovered the island’s Hemingway Days festival commemorating Ernest, visited the author’s Whitehead Street home and met “Papa” Hemingway Look-Alike Contest veteran Bob Orlin.

“It was the festival itself that attracted me,” Brian said. “If I was going to create a play, what better place to go than a place where they had a Hemingway festival?”

During that visit, though he hadn’t begun writing the script, he booked a Key West theater for the following year.

He also stepped into Hemingway’s skin for the first time. With his black hair and moustache, Brian resembled the author during his Key West years — so Bob Orlin convinced him to enter a “young Hemingway” contest at a local bar. He promptly won, using the prize money to continue his travels and research.

Brian Gordon Sinclair, in the persona of Ernest Hemingway, is surrounded by friends at La Terazza in Cojimar, Cuba.

Brian Gordon Sinclair, in the persona of Ernest Hemingway, is surrounded by friends at La Terazza in Cojimar, Cuba.

When he began writing the play, however, a problem arose.

“My intention was to do one three-act play and that would be it,” said Brian. “By the time I got to the end of World War I, I already had enough for one play.”

Ultimately, “Hemingway On Stage” grew into a six-part series — each play exploring a facet of Ernest’s life and career, and each taking Brian onstage to create an intimate portrait of the iconic author.

As well as giving audiences new insights into Hemingway, the plays have brought a surprising benefit to their creator.

“Working on Ernest, with Ernest, has absolutely revitalized my life,” Brian reported. “His life encompassed so many different things that it became an adventure for me.”

Brian's in-depth portrayal provides audiences new insights into Ernest's complex, often troubled character.

Brian's in-depth portrayal provides audiences new insights into Ernest's complex and often troubled character.

Brian’s research has taken him to London, Paris, Spain’s Civil War battlefields and bullfighting rings, Hemingway’s childhood home in Illinois and many other places. He continues to present his plays in Key West where, like Ernest, he has found friends and inspiration.

“Everybody in Key West has treated me with such open arms and respect and kindness that I consider myself an honorary citizen of the place,” he said.

This year, Brian will step outside his six-part series to present a storytelling evening titled “Hemingway’s Hot Havana.” Ticket sales will benefit the Key West Art & Historical Society and the Hemingway Look-Alike Society Scholarship Fund.

He hopes to debut the final play in his “Hemingway On Stage” series during Hemingway Days 2011 — but that doesn’t mean he’ll say farewell to the author.

“Spiritually, I have become a friend of Ernest Hemingway,” Brian said, “and Ernest and I will be friends forever.”

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